Thursday 16 December 2010

Media Evaluation.

In what ways does your media product use, develop or challenge forms
and conventions of real media products?

Our media product was for the song ‘Sing Sing’ by a Canadian pop/punk rock band called Marianas Trench. Typical of this genre are music videos with a fun or comic storyline or feel to them like for example; ‘Celebrity Status’ by Marianas Trench or ‘All the Small Things’ by Blink 182.


(A snapshot of a comic part of the Marianas Trench video 'Celebrity Status')

We tried to fit this typicality by creating a music video with a lot of energy and fun to it with a bit of a comic storyline of a stalker fan girl and her obsession that is a band member.

(A snapshot of the 'fan girl' holding up a banner to the band member.)

One of the main conventions of music videos are close ups because they predominate and establish intimacy between the viewers and the star (Pete Fraser). We quite a few close up in our music video but the close up shot didn’t dominate over other shots. We didn’t use close ups too much because we wanted to tell the story between the two characters, however we gave our ‘star’ or main character of the story (our actor Shaun) more screentime as he was the more important character and the story did revolve around him. Richard Dyer said “a star is an image constructed from a range of materials” so we felt close ups weren’t as essential; by making sure he is the first and last character we see so the audience would be introduced to him first and as they see more of him in the music video, we felt a relationship could be established in this way.

Another main convention of music videos is the use of fast-cutting. We did this for most of the music video and also used some longer shots where we felt was appropriate and when the tempo had slowed down a little like on the last verse of the song. Otherwise, the video is a upbeat and fairly fast tempo song so we tried to use plenty of different camera angles when filming one scene so we could still see the storyline and keep the fast cuts in.

One other common factors in music videos is that shots can be repeated throughout either to remind the audience of something earlier on, to be used as flashbacks or just used dynamically and used when appropriate. We went with this convention as in our storyline the band member ends up missing his fan girl who isn’t interested in him anymore. We developed this convention in conjunction with our storyline so the audience sees him remembering his time with her and it creates sympathy so the audience will feel for him whilst it also being quite ironic and comical.

We had a solid narrative throughout the music video using both the storyline and lip-syncing in conjunction with each other or switched between the two; “The video allows the audience access to the performer in a much greater range of ways than a stage performance could. Eye contact and facial gestures via the close up, role playing through the narrative and mise-en-scene will present the artist in a number of ways which would not be possible in a live concert.” (Pete Fraser, ‘Teaching Music Video’ - BFI, 2004) As we used our star in the narrative it depicts him away from the performance element and focuses more on the storyline and shows the artist as what would happen away from his concerts; therefore, we against the convention of the performance element within music videos.



How effective is the combination of your main product and ancillary texts?

Our ancillary texts are tied to my main product, retaining imagery, themes and the colour scheme. We used our main character throughout our three products so that the consumer to establish ‘the star’ (Richard Dyer).

We wanted to maintain the familiarity with the band when creating our products so that’s why we chose to use the same themes throughout. When looking at other media products we found that if we wanted our website’s homepage to be based around promoting our track, music video and album the sites we looked at that did that had objects on the pages relating to those things like picture and videos of them and links to buy them. Also on their pages would be links to social networking sites which appeals to the target audience of teenagers - young adults as consumers of the kind of music this band makes. This is why we thought if we had put social networking sites like www.twitter.com, www.myspace.com, www.youtube.com and www.facebook.com the audience can ‘keep up with the band’ which is also why we wrote that on the website.



“Music videos, along with the introduction of compact discs, helped rescue a flagging industry in the early 1980s. In so doing, they established visual style – never of course totally out of style – as a pre-eminent aspect of performance” (Routledge, 1994). Using a similar visual style helps the audience identify the band with these products so that’s what we have tried to achieve by using the megaphone prop on the website, in the video and on the digipak; by using the same colour scheme of black, blue, red, and white throughout all three products and by also using our main character on the products too.




(all three products featuring the megaphone prop, the star and the similar colour scheme)

Overall our products are very well related to each other and all revolve around promoting ‘the star’ and mainly the track.



What have you learned from your audience feedback?

From the audience feedback received on our music video we found that our video fitted our chosen genre of music, it entertained our audience and that there were a few things that could be improved.
We got our feedback on our music video by having a screening with our class. The kind of audience the pop/punk rock genre is aimed at is teenagers so this was a great chance to get some realistic, useful feedback from that age group. The comments we received for this is that the storyline and feel of the video was fun, likeable, energetic and comical; the video had good pace; it fits the genre and the lyrics; they likes the way we had repeated some of the shots towards the end of the video; they thought the lighting was better than from our first draft and the running scene that we had sped up or the ‘manipulation of time’ in that scene was good. Some improvements they thought we could have was that some of the lip-syncing could be a little clearer and they suggested also that a small performance element in there of our actor singing into a microphone from different angles on a blank background could be inserted randomly throughout the video. We appreciated this feedback and I think that given a little more time we could have re-filmed some parts of the video where the lip-syncing is a bit unclear and also we might have managed to have that small performance element as in other, real pop/punk rock music videos like ‘Good Charlotte – Lifestyles of the Rich and Famous’ or ‘Sum 41 – In too Deep’ if we didn’t focus on the storyline so much. Overall, the feedback was mainly good and I agree that there are definitely some improvements that could be made.

(Snapshots of a comic part & a performance element of Good Charlotte - 'Lifestyles of the Rich and the Famous' & Sum 41 - 'In Too Deep'.)

For our digipak, we asked people of our age, ones that would be the consumers of this product and they liked the abstractness of the front cover, they liked the images, what we did with the last back panel that fold in with some lyrics from each song on it and the colour scheme. They suggested that we could have different images on the inside which were also mine and Patricia’s thoughts.

The feedback for the website was mainly good. We asked our peers again as they are of the target age group. They really liked all the rollover images or the ‘visual aids’ on the page. They liked the images we had created like the megaphone and the Polaroid, the scroll-box and the layout of the page. They thought we could improve it by adding a few more objects onto the page like images and social network update boxes. Again, I and Patricia agree that this is something we could have done, if given more time we would choose to improve this as when looking at the websites I analysed like that of www.linkinpark.com they had objects all over the page like fan comment spaces, social networking updates, and blogs from the band members too; all things we would have liked to put onto our website.



How did you use new media technologies in the construction and research, planning and evaluation stages?

When researching my products I began by looking at real media texts by using the internet to search for music videos to analyse; for websites and also for digipaks. I used Youtube.com for the music videos; this has the largest video streaming database on the internet so this provided me with enough real music videos to look at and analyse. I then looked at band’s websites like ‘Linkin Park’ and ‘Muse’ and analysed them. Both of their homepages based around their latest albums and promoting that more than anything else and the rest of the website would promote their past albums and other things to do with themselves. We wanted the homepage to revolve mainly around promoting the ‘new album’ we were creating for our task and the ‘new track’ that we had made the music video for so these websites were a great inspiration for ours. When looking at existing covers for CD’s and digipaks, I looked at ones that were quite abstract and simple when doing research as this is what we wanted. I looked at ones by the band ‘Alter Bridge’ and one by ‘The Killers’; both had specific colour schemes, both stood out and both were fairly simplistic. When researching the track we looked at multiple unsigned bands on websites like Myspace and contacted them. We got permission from a few different bands but when we were listening to their music we were unsure what we could do with their tracks at first. As me and Patricia both listened to the band that we ended up choosing I went onto their record label, 604 record's, site and contacted them through there and within a few days I got a reply from their manager also the co-owner of the record label saying that we have permission to use the track we wanted.

For both the digipak and the website we started by using green-screen technology to take the images we wanted for our cover. We used bright lighting from the right-hand side in some of the images and for others our actor was fully lit. As we were taking the pictures we got some from many angles and even from above so we needed to get direct light from above so there was no shadow underneath and the green screen underneath our actor. After this we put these images onto Adobe Photoshop CS4 where we cut around the images getting rid of the green screen behind, using the 'magic wand' tool and the free-hand select tool, so we were left with just an image of our actor with a megaphone and no background behind him, this allowed us to put anything in the background.

(original picture before editing to be used for Polaroid on website which was taken against green screen)


When making the website we chose to use both Macromedia and Adobe Dreamweaver (depending what computer we were on). We started by choosing a colour scheme: we chose red, blue, black and white. So we started by making a black background for our website. We then went onto Fireworks and Adobe Photoshop to make buttons, the navigation bar and logo. We used the internet to find a font we wanted for our logo and navigation bar and other things on the page. White font was mainly used against the black background as it is a contrast from that colour and would stand out more and borders were either blue or red and some texts were in blue. To position everything on the page we used layers that are in Macromedia Dreamweaver but not in Adobe Dreamweaver; the layers on the Macromedia programme allowed us to position objects on the pages a bit more freely. Because this programme uses HTML coding it allowed us to put our music video in there by using the embed code provided by Youtube.com which is where we uploaded our video and also make a scroll box on the page.

(Split view with design & HTML coding on Dreamweaver)

When linking the pages up we had to create new pages for each one. We then decided to use rollover images so it makes the website more visually appealing. We did this by editing the images we already had. For example the ‘Home’ button on the navigation bar. We decided to invert the colours every time the mouse rolled over the image and so did the same for the rest of the navigation bar by splitting the images up so they could all link to different pages.

We also did this for lots of other images on the page that don’t even link up to anything like the megaphone that tilts up with an outburst of colour:


(original megaphone image and the rollover image)
And this image:

(original polaroid image and the rollover image)

This image is one we had edited from the green screen and we edited it to look like a Polaroid photograph and rotated it at an angle. By using a Gaussian and Movement blur tool on Adobe Photoshop CS4 it allowed me to distort the image so we placed that as the rollover image when putting it onto the webpage. We also placed the text onto it in this programme and as we wanted to promote the new album we thought this would be a good idea to put ‘Sing Sing. Out Now!’ on it.

When creating the background for the digipak we used Adobe Photoshop CS4. We wanted something abstract and that would stand out so we used the chosen colour scheme of black, white, red and blue and scrawled onto the white background in red and blue around our image using a paintbrush tool with a thicker brush for the red and a slightly softer and thinner one for the blue. When creating the text the text tool was used and the logo was taken from the one we created on the website but inverted in colour also so it was in black and not white. We chose our images from the ones we cut out from the green-screen. We used the text tool for the rest of the text.

When editing images for both the digipak and the website we used Macromedia Fireworks, Paint Shop Pro X and Adobe Photoshop CS4.

(Screen shot of the text tool being used in the Macromedia Fireworks programme)

We used Adobe’s Premiere Pro CS4 to edit our music video. This involved capturing all the footage we had filmed and then naming the ones we wanted to keep in order to keep organised and know what’s what and getting rid of the clips that weren’t so good and not needed. We then placed them on the timeline and trimmed the footage down in order to fit in with the track which was also placed on the timeline in place of the original audio on the footage captured as that wasn’t needed. We also used this programme to create fades as a transition with some shots as we felt some cuts were too harsh and to edit the brightness, contrast and lighting of our video by using the video effects provided on the programme.

For my evaluation I originally wrote it onto Microsoft word and when I had finished I copied it onto a new post in my blog on the blog hosting site www.blogspot.com. I pasted the text into the ‘edit html’ tab as otherwise it would copy the encoding from the programme too and not change to the chosen font on my blog.

Wednesday 15 December 2010

Final Website.


For the improvement of the website I made T-shirts to place at the bottom of the page which Patricia helped design;

(two of the t-shirts)
Me and Patricia made made two each of the rollover images for the social networking sites (twitter, myspace, youtube and facebook) icons:

(original and rollover twitter icon)
With the social networking sites and the fanspace I linked them up to the band's real sites.

I made the 'fanspace' link on the left side and wrote the to go with it 'Hi, we're Marianas trench...etc.'

We also placed the final version of the video onto the page via the Youtube.com iframe embed code.
I made the megaphone rollover image and Patricia made the scrolling text that is underneath ('Now playing...').

Patricia made the scrollbox for the 'Recent News'.
We both made the 4 rollover images for the navigation bar each.
>>
(original and rollover images from navigation bar.)

Final Music Video



Re-uploaded:

Tuesday 14 December 2010

Final Digipak


For this final version I had the idea of putting a lyric from each song on on the back left panel of the Digipak so Patricia went about finding the lyrics and placing them onto the.

I then edited the inside of the cover by making the two side pictures posterised on Adobe Photoshop CS4 by using the effects tool.

Saturday 27 November 2010

Re-Filming & Editing for the Final Version.

November 23rd - Filming.
We re-filmed the running up the street on the first 'Slow me down' becuase the lighting was not very good the first time we filmed it and the lighting this time round was fine. Again, I filmed and Patricia was acting.
Also we filmed new parts of Shaun looking out of the window and Patricia not being there. Patrcia filmed this from outside and I directed Shaun by telling him what to do in the shot, from inside the house. Then I filmed from Shaun's point of view looking outside and no-one being there and then I filmed a close-up of Shaun's face not looking very happy about it and closing the window as Patricia directed him.
Another new part we filmed was Shaun walking down the street and looking around and Patricia not being there. Patricia and I directed the shots and I filmed the shots.
We then filmed Shaun with the shopping bags again but this time with Patricia not being there. Patricia directed these shots as I filmed.
Partricia filmed window that Shaun looks out of and she isn't there again.
I filmed a close up of the heart that Patricia draws in the music video as she stood behind it and was filmed in the shot too.
We also re-filmed the very last part of the video again today where they both pass each other on the street as this was too dark the first time round. Patricia helped direct when not being filmed and I recorded this.

November 24th - Filming.
Today we re-filmed the last verse of the music video. This was originally the parts with the tambourine but we decided to change this completely and go with a new concept of Patricia popping up in different places behind him, sometimes with the megaphone as Shaun walks towards and sings to the camera. I filmed this and Patricia directed when she wasn't being filmed. This had to be shot quite a few times over as we wanted to get plenty of different shots. The location we chose was in the middle of a non-busy road near Shaun's house so we weren't at any risk.

November 25th & 26th - Editing.
We edited the video on these days with our newly captured footage. We cut the clips down and placed them in the right place on the timeline and then rendered it and uploaded it onto Youtube as our Final draft.
We noticed after uploading it the screen resolution changed so we plan to fix that.

Sunday 31 October 2010

Website - 1st Draft.

For our website we used the software Macromedia Dreamweaver 8.

Patricia and I used the colour scheme of Black, White, Red and Blue just like our Digipak.
We used our original idea of our layout to make this.

We both has equal input when making the website and agreed on the idea a news box, the banner, navigation bar where they are but to also to put our music video in the middle of our page and to advertise the digipak in the top corner so our website homepage would be made around promoting this digipak and song that we chose.

We made a Polaroid style photographic image for the digipak promotion in the top left hand corner next to the banner and I made it in a rollover image that distorts the picture when a visitor's mouse moves over it.

We used a table to split up our navigation bar and made working links for it when the website is live.

For our final version I think we need; a background to make it a bit more lively and to make it stand out more; to put more onto the page like social networking links; scroll boxes for the news and little extras like that to make the page longer and better.

Digipak - 1st draft

We decided to go for a 6 panel digipak instead of a 4 paneled one.
These were the measurements and the desired layout that we used:



The images we used for our digipak were shot against a green screen by both myself and Patricia. We had plenty of images and chose the ones we felt turned out the best but for the final version we are looking to go for some different images on the inside and on the back.

The picture on the front cover (right panel) was shot and edited by me and the background on the front cover was designed and executed by Patricia. The back middle panel of the digipak was designed by both me and Patricia and we feel we need to put more on the back middle panel and an image is needed for the back left panel.

Front & Back of Digipak.


The inside side images were shot and edited by Patricia and the middle one was shot and edited by me. The Megaphone facing up in the middle panel is where the CD would go.
We feel for the final version we maybe need different images or backgrounds for the side panels as we feel it's pretty basic.
Inside of Digipak.

Saturday 23 October 2010

Filming & Editing the 1st Draft.

We had planned to film on Sunday 17th October originally but due to a water pipe burst on Friday 15th October, college was closed and we couldn't pick up the camera for filming on the weekend so therefore we had to reschedule.

We ended up filming on 18th, 20th & 21st October. Because of this our chosen actress, Jessie, who was available on the 17th was not available during this week for filming so Patricia had to play her part instead.
We had filmed one part of the chorus with our actor, Shaun, on Wednesday 6th October.

On Monday 18th October we filmed the first verse. I filmed with camera, keeping track of camera angles, shots and movements using our storyboard and also using that to direct the actors.
As Patricia had to play Jessie's part in the end she had the job of acting and didn't use the camera to film on this day although she did also direct Shaun when lip-syncing and also with the shots.

On Tuesday 19th October we captured the footage that we had filmed the day previously and edited the footage on the editing software Adobe Premiere Pro. We renamed all of the clips and then placed them next to each other, in order, on the timeline.

On Wednesday 20th October we filmed the second verse and the last bridge before the last chorus of the song. We made the banner that says 'I Love You' prior to filming as this was a prop we needed. And the prop that is the Megaphone was also used when we were filming these parts. Again, I was in control of the camera angles, shots and movements, Patricia was acting and we both had equal input with directing shots.

On Thursday 21st October we captured the footage from the previous day and renamed and placed the shots on the timeline in order. We also layered the audio track over the footage and got rid of the existing audio on the footage as this was not needed. When editing me and Patricia had equal input and made decisions effectively and agreed on them together.
Patricia and I took it in turns to cut the shots down to what was needed and placed them in the appropriate place on the timeline.
On the evening of this day we filmed the last parts of our Music Video.

On Friday 22nd October we captured the footage from the previous day and continued with the editing. I used blend effects on some of the shots and either sped some of the shots up or slowed them down in order to make the footage fit the song by means of time or just the tempo of the track. I taught Patricia how to do this also so she did a few too.
We finished the editing of our 1st draft on this day but we found that some parts of our footage didn't turn out the way we wanted so we didn't use some of it. This resulted in us repeating some parts of the footage toward the end of our video and also leaving in a part that says '2 weeks later' which we weren't entirely pleased with.

We know the parts of our video we need to improve so we made a list of improvements to be made;
- First bridge - footage too dark at the end so we need to film in either more light or earlier on in the day
- Repeated footage and '2 weeks later' blank space - film the other footage instead of this repeated/missing parts.
- End of song - too dark again; film in light or earlier on.

Thursday 23 September 2010

Planning - Website and CD cover Drafts.

I did this website mock up & Patricia was in charge of the CD mock up. We decided on both of them together but split up the responsibility of who draws which one out.

Planning - Costume and Props.

Shaun - Band Member:

COSTUME
Beanie hat
T-Shirt x3
Cardigan/Hoodie (/none)
Skinny Jeans
Canvas Shoes

Patricia and I chose this clothes for Shaun to wear as it is a typical/stereotypical outfit that a member of a boy band would wear. There is a 'x3' and either cardigan, hoodie or none because there are different time frames within the music video.

PROPS
Megaphone - to shout out of the window with.
Food (cake and sandwich) - when about to eat and then he can't.
Groceries - for after going shopping and then he drops them all when Jessie scares him.


Jessie - Crazy Fan Girl:

COSTUME
Skirt/Shorts
T-shirt with a heart on it with the band members face in the middle
Any shoes
Other top

Patricia and I chose this as it is quite casual but also girly. The t-shirt will also give the audience the immediate impression that the girl is obsessed with the band member. The other top is for when she has moved on from her obsession at the end.

PROPS
Handbag - to carry around with her with other props in.
Banner saying 'I <3 YOU!' - to hold up to him from outside his house.
Pen and notebook - when asking for an autograph.
Phone - for when taking a picture with him when he drops his groceries.

Planning - Location

We have chosen 4 different locations to film at for our music video.

The first location is a deserted street in our local town of Stapleford.
We chose this as it fits perfectly with our storyboard and the noise level will be at a minimum as not many people and cars go down this street. we will film most of the verses here and have the meetings between the band member and the fan girl.

The second location is a house , the house belongs to our actor Shaun.
We will need to film inside the house for when it comes up to the bridge in the song (- when the band member is inside trying to eat his food and when he is in his bedroom trying to sleep.)
We chose Shaun's house because when we film the scene in the bedroom the interior is what we would want the setting to look like and his kitchen is very open and modern so it fits his young character and he has a big window that Jessie can peer through and he has a driveway so when we film the scenes from outside his house we will have more room to film.

The third location is the high street of Stapleford , this is where we will film the second verse our of video where the band member is coming out of the shops with his shopping bags and the girl makes him jump.

The fourth location is a car park which is right near the deserted street so it is quite quiet and this is where we want to film the last parts of our music video; when Jessie has stopped being a fan girl.

Planning - Actors.

In order to make our idea work we needed to pick two people for our video; one boy band member and one crazy fan girl who won't leave him alone.

For the role of the band member we have decided to cast our friend Shaun Cutts.
Shaun is a good friend of ours and is trustworthy, reliable and responsible so we trust him to be available for filming. Shaun has also had acting experience so he will be great for expressions we want to portray when he is miming the track. He also has the right style for what we want our band member to look like so he fits the character perfectly.

For the role of the fan girl we chose our friend Jessie Maud.
Jessie is also a great friend of ours and she also fits the character look that we want for this role. She, like Shaun is trustworthy, responsible and reliable so we know she will try her hardest to play this role well and we know she will turn up for filming.

Wednesday 22 September 2010

Treatment.

The song that Patricia and I have chosen for our music video is ‘Sing Sing’ by the band Marianas Trench. After listening to the song a couple of times we started to brainstorm ideas of the story for our music video. In the end we decided on something we decided on the storyline that we thought would fit our chosen tracks' lyrics.

The story is about a fan girl who follows her favourite band member everywhere he goes. He ignores her and tries to make her leave him alone throughout but then in the end she moves on and stops her obsession with him. Because this happens, he ends up missing her.

In order to make the video fit with the lyrics we plan to film him not being able to eat or sleep in the video because the lyrics in the chorus say 'I'm not eating' and 'I'm not sleeping'. Also, during the video you will see the fan girl character miming some of the parts that say 'Sing sing to me, sing me something I need, sing new, sing good...' this is because he is a band member and she wants him to sing for her whenever she meets him. He will then reply with a sarcastic 'God, i wish that I could' and in the end actually means it. When he ends the first two choruses with this line, he will run away from her or slam the door on her as she follows him to his house or when he is doing shopping.

As this is only our first plan of what we are going to for our video our final piece could end up slightly different as we may decide to change our ideas whilst filming. I hope that our idea will come across well to the audience as the comic storyline fits that of our genre of pop/rock and it also fits in with the lyrics of the song. We should use a range of camera angles, movements and props to make our music video as greatly as we can.

Marianas Trench - Sing Sing

This is the track that we have chosen for our music video.


Tuesday 21 September 2010

Research - CD cover analysis.


This is the album cover 'Blackbird' by Alter Bridge.
The colour scheme is mainly black and white with a blackbird on it so it goes with it's title. It's a very simplistic cover and its very bold so stands out and the band's name is written in a dark red so that stands out also.
I like this album cover because it doesn't give away much about the band and so you'd have to know their music already and be a fan in order to be an ideal customer that would by this album.



This album cover is for Hot Fuss by The Killers. It has the band name logo on it in white so you'd know who the album is by. It has a fairly simple background that is a picture of the top of a few buildings, the sky and it has the band's name and the album name.
It's colour scheme is white, red and blue but it uses a gradient of each of the colours to create a more interesting cover. The red stands out from the blue and white and goes with the connotations of the title of 'Hot Fuss'.

Research - Website Analysis.

HTTP://MUSE.MU

This is the homepage for the band Muse. Their main colour scheme is red, black, white and blue which is also like that of what we hope to have. They have a picture in the background and their band logo at the top. There is a navigation bar at both the top and the bottom of the page, a news feed, a subscription box, a media player and their current tour dates. there are also changing images at the side and links to the band's store and also a little space for member's of their site to write comments on.


WWW.LINKIN PARK.COM



Friday 17 September 2010

Track Permission.

After listening to many unsigned bands and gained permission from a few we liked, we felt the tracks weren't giving us an initial feeling as to what we could do with them for a music video.
Patricia and myself had been listening to the band Marianas Trench for a while and as we both really liked them I decided to see if it was possible to contact their record label for permission.

I started by going onto their record label's website and then went onto the general contact page where I wrote this email to email them:

"Dear 604 Records,

We are two students, aged 17, from England doing a College A-Level coursework project for Media Studies. This project requires us to do a music video.
Our College is George Spencer College in Nottinghamshire, UK. The requirements of our coursework states that if a band is signed we need permission from the record label of the artist and the track should not already have a music video. The music video would not be used for commercial means and would only be put onto Youtube and our blogs we make for our coursework project.

We are huge fans of Marianas Trench and would be honoured if you could please grant us permission to use one of their tracks that don't already have a music video.
The track we would love to do a music video for is 'Sing Sing' from the Masterpiece Theatre album.

We look foward to hearing back from you,


Thanks,

Shaneece Deep & Patricia Sheehan of George Spencer College - UK."


I then heard back from Jonathan Simkin, one of the founders of the record label the next day who asked said it would be okay if I let him know exactly what we are doing and if it wasn't for any commercial means. So I emailed him back saying that it was merely for our A-Level studies in order to acheive a grade towards our qualification for Media Studies and then he granted us permission to use the track.

The email was as follows:


Date: Tue, 7 Sep 2010 03:34:41 -0700
Subject: Re: Marianas Trench
From: jonathan@604records.com
To: shaneece_deep@hotmail.com

Hi Shaneece.

On the basis of this note, the permission is granted.
Thanks.

JS


On 10-09-07 3:30 AM, "shaneece deep"
wrote:

Hi Jonathan,

This won't be used for any commercial means as it is merely a school/college project for our subject of Media Studies in order for us to get a grade towards our qualification for A-Level Media Studies.

Basically the project outline is to make a music video to a track that we have permission for;
We would have to film a music video that we devise for the track and then after we have put it together we would upload it onto Youtube.com or another video streaming website for our examiners. It will not be used anywhere else for any commercial/promotional means.

As we need to document the permission to use the track for our examiners; if we could have your permission to use the track 'Sing Sing' by Mariana's Trench it would be much appreciated.

Thanks,

Shaneece Deep & Patricia Sheehan

Date: Fri, 3 Sep 2010 21:59:08 -0700
Subject: Marianas Trench
From: jonathan@604records.com
To: shaneece_deep@hotmail.com

Message body Hi Shaneece. This is probably OK as long as the video is not used for any commercial means whatsoever. Can you tell me EXACTLY what you will do with it?

Thanks.

Jonathan Simkin



Wednesday 8 September 2010

Research - Record Label.

The band we chose is called Marianas Trench. They are a Canadian band who are signed to 604 Records.
I sourced my research from the record label's site (http://www.604records.com/home/about/604-records-biography) and the record label's wiki page (http://en.wikipedia.org/wiki/604_Records).


604 Records
was founded in 2002 and is the production company of Nickelback lead singer Chad Kroeger and the band's attorney Jonathan Simkin.
Their records are distributed by Universal Music Group and '604' refers to one of the area codes in the city of Vancouver where the company's main offices are located.


When talking about the record label one of the founders Jonathan Simkin makes it clear that they want to remain sucessful but also independent:

“We are definitely about artist development,” Simkin states. “Chad’s an artist and I spent most of my professional career advocating for artists, and that gave us a hell of a pro-artist perspective. It’s about patience. We don’t bail on our acts, we can afford to take our time, and we’re not reporting to a Board of Directors who wanna know what’s going on right now. And we’ve struggled at times, but it’s sure paid off on bands like Marianas.”
“In Canada, we’re a record label in the truest sense,” he says. “We own the recordings, we pay for the recordings, we have our own in house marketing department, and we have an enhanced P&D deal with Universal, which means we can opt in on various services on a band by band basis.” He also mentions that “staying independent” ranks as his and Kroeger’s greatest triumph, along with the shrewd and hard won decision to retain the label’s digital rights.

Artists signed to the label are:
* Jakalope
* Armchair Cynics
* George Canyon
* Faber Drive
* Jessie Farrell
* Marianas Trench
* My Darkest Days
* The Organ
* Aaron Pritchett
* The Solution
* Speed To Kill
* The Suits XL
* Theory of a Deadman
* Thornley
* Tin Foil Phoenix
* The Zolas
* Carly Rae Jepsen
* Jessica Lee

Research - Artist.

This information has been sourced from the following websites:
http://www.604records.com/home/artists/marianas-trench
http://en.wikipedia.org/wiki/Marianas_Trench_%28band%29
http://www.marianastrench.net/bio.php


Marianas Trench

MEMBERS
Josh Ramsay - Vocals and Guitar
Matthew Webb - Guitar and Vocals
Michael Ayley - Bass and Vocals
Ian Casselman - Drums and Vocals




ALBUMS


Fix Me(2006)

1. "Say Anything"
2. "Decided to Break It"
3. "September"
4. "Alibis"
5. "Shake Tramp"
6. "Low"
7. "Push"
8. "Far from Here"
9. "Vertigo"
10. "Alive Again"
11. "Skin & Bones"
12. "Fix Me"


Masterpiece Theatre (2009)


1. "Masterpiece Theatre I"
2. "All To Myself"
3. "Cross My Heart"
4. "Beside You"
5. "Acadia"
6. "Masterpiece Theatre II"
7. "Sing Sing"
8. "Good To You" (feat. Kate Voegele)
9. "Celebrity Status"
10. "Perfect"
11. "Lover Dearest"
12. "Masterpiece Theatre III"

Tuesday 7 September 2010

Music Video Analysis

Shot by shot analysis.

Track: What I’ve Done Artist: Linkin Park Director: Joe Hahn

Length: 3.27 Date: April 2nd 2007

Link: http://www.youtube.com/watch?v=pMePM9Q-bYk

Shot number

Shot type

Shot length

(secs.) – [0.01 = 1sec.]

Description

Edit to next shot



Static shot

0.04

Grass going back into soil, reversed and sped up

Straight cut



Tracking shot

0.02

Scorpion walking on sand

Straight cut



Zooms in, establishing shot

0.04

Slowly zooming in to stage in the middle of a deserted scenery, background blurred, foreground in focus (depth of field)

Straight cut



Pan (right to left)

0.02

Showing helicopter arriving at side of stage in deserted scenery, small band logo is shown on part of the stage as camera pans.

Straight cut



Close up, Insert

0.005

Gears turning

Quick straight cut



Extreme close up, Insert

0.005

Gears turning, showed even closer

Straight cut



Tracking shot

0.02

Eagle flying in the sky above the deserted scenery

Straight cut



Static shot

0.01

Camera at ground level, showing front of half of the drum kit with the band logo on it in focus in the foreground and blurred background

Straight cut



Pan up, close up, low angle

0.01

Camera pans up from close up of the front of the drum kit to show the drummer of the band (Rob Bourdon) playing the drums from a low angle.

Straight cut



Extreme close up, Insert

0.005

Gears turning

Straight cut



Static shot

0.01

The band’s DJ (Director Joe Hahn)’s hand is shown scratching on the decks.

Straight cut



360° tracking shot from a low angle (“ Mr Hahn’s Circle Jerk”)

0.01

The band’s bassist Phoenix is shown standing with the bass by his side.

Straight cut



Insert, insert

0.01

Reversed, inserted, sped up footage; made to look like water going back into the ground as if being dried up (would have originally been water filling up the ground)

Straight cut



Extreme close up

0.005

Gears turning

Straight cut



360° tracking shot from a low angle (“ Mr Hahn’s Circle Jerk”),

Two shot, long shot

0.01

The band’s lead singer, Chester Bennington, is shown with his microphone and backing vocalist/rapper/guitarist/keyboardist, Mike Shinoda, is shown getting ready to play the guitar.

Blend



360° tracking shot from a low angle (“ Mr Hahn’s Circle Jerk”), long shot

0.01

The band’s guitarist Brad Delson is shown getting ready to play his guitar

Straight cut



Insert of stock footage.

0.02

Footage from a jet fighter in the sky, aiming down at a target and then the target is shown, exploding.

Straight cut



Group shot, extreme long shot, establishing shot

0.01

Band start playing and they are shown together (all apart from the drummer.) Surroundings are shown.

Straight cut



Pan right, mid shot

0.005

Mike shown playing guitar, other band members are shown around him but he is in main focus.

Straight cut



Static shot, medium shot

0.005

Brad shown playing guitar, surroundings can be seen around him and side of bass from other band member, Phoenix.

Straight cut



Static shot

0.01

Rob (drummer) shown playing drums.

Straight cut



Insert of stock footage

0.01

Army stock footage shown. Army personnel in a line, resisting object been thrown and rioters.

Straight cut



Insert of stock footage

0.005

Black and white film (news archive stock footage) black man being pushed along.

Straight cut



Insert of stock footage

0.005

Black and white film (news archive stock footage) police picking someone up and arresting them.

Straight cut



Two shot, mid shot, slow pan right

0.01

Phoenix (bassist) and Rob (drummer) shown with stage set behind them.

Straight cut



Insert of stock footage

0.01

Fireman saving little girl from burning building, shot slightly slowed down.

Straight cut



Insert of stock footage

0.01

Riot shown, army tanks

Straight cut



Insert

0.01

Rescue plane flying in the sky

Straight cut



Group shot, medium shot

0.005

Shows 4 members of band

Straight cut



Insert of stock footage

0.005

Shows someone being pulled up on a rope by a rescue plane

Straight cut



Insert of stock footage

0.01

Shows woman being arrested

Straight cut



Overhead /bird’s eye view shot

0.01

Shows band playing from above and also shows set up of amps and equipment around them.

Straight cut



Insert of stock footage

0.005

News archive stock footage; riot.

Straight cut



Insert of stock footage

0.005

News archive stock footage; people running over to someone injured in what appears to be a ruined town (like that of one that has been ruined by a natural disaster)

Straight cut



Zoom in

0.01

Zooms in on Phoenix’s bass guitar (fast pace zoom)

Straight cut



Insert of stock footage

0.01

Army – soldier firing a flame thrower

Straight cut



Insert

0.01

Monument Valley, AZ is shown in this clip. The clip has been filmed for longer than a second then sped up as clouds are shown to be sweeping over the valley at a fast pace.

Straight cut



Insert

0.01

The Arctic desert is shown in this clip. Which contrasts with the previous clip as Monument Valley is very dry and warm and the Arctic desert is very dry but cold and icy. This clip has also been sped up as the clouds sweep over at a fast pace.

Straight cut



Medium shot

0.01

A medium shot of three members of the band is shown in this shot. The lead singer singing the first line in the foreground, and the other two behind playing.

Straight cut



Long shot, Establishing shot

0.005

Long shot of the whole band from afar showing the settings also.

Straight cut



Insert

0.005

Gears turning

Straight cut



Medium Close up

0.002

Head, shoulders of lead singer and microphone shown in this shot.

Straight cut



Insert

0.005

Footage of cars on a road, quite close up to the traffic

Straight cut



Insert

0.005

Sped up footage of cars running through Paris.

Straight cut



Insert

0.0025

Sped up footage of cars running through America.




Insert

0.005

Sped up footage of clouds rising over city.




Insert

0.0075

Sped up footage of smoke rising above industrial setting.




Insert

0.01

Close up of a petrol meter going up.




Zoom out from mid shot to medium shot

0.01

Lead singer singing




Pan

0.015

Fast paced pan from overhead showing some fields.




Close up

0.005

Close up of guitarist pulling back his guitar and in the distance on the right you can see the DJ playing on his decks.




Insert

0.005

Close up of a rhino




Insert

0.005

Close up of an elephant




Insert

0.0025

This footage shows elephant bones on fire




Insert, Pan

0.01

This footage is a pan over a burning forest




Insert

0.005

Footage of firemen putting out the fire on the bones




Crane shot

0.01

Shows band playing from above and slightly cranes down at a slow pace




Insert

0.005

Insert of mountains and river in Japan. Fast paced footage; shows clouds passing.




Insert

0.01

Close up of a Polar bear in water




Medium shot

0.01

Lead singer walking forward with microphone, singing. Shown from the far left of him.




Mid shot

0.005

Lead singer and backing vocalist/guitarist shown just behind him more in focus.




Insert

0.005

Shows water coming out of a pipe




Insert

0.005

Shows close up of lake with rubbish in it




Long shot

0.005

Lead singer positioned at the far right of the shot, shows setting in front of them (desert)




Low angle, close up

0.01

Low angled close up of the guitarist/backing vocalist playing guitar. The sunlight enters the shot as he strums the guitar.




Medium-long shot

0.02

Shows lead singer, backing vocalist/guitarist and other guitarist performing from the left hand side of them




Medium-long shot

0.01

Shows bassist from front of him and drummer in the background




Close up

0.02

Lead singer singing in the foreground, on the right of the shot and the two guitarists and the DJ behind In less focus and to the left. Shot from the front of the band.




Insert

0.005

Close up of people in third world country (famine, poverty)




Insert

0.005

Close up of people in man world country (famine, poverty)




Insert

0.005

Low angle shot of a sign in America saying ‘EAT’. Sped-up footage.




Insert

0.005

Close up of man eating a big burger.




Medium shot

0.005

Shows lead singer to the right side of the shot with back vocalist/guitarist and DJ to the left of the shot behind the lead singer.




Insert

0.005

Close up of woman putting a tape measure around her waist




Insert

0.005

Footage of man living in poverty




Long shot, crane

0.005

Long shot of the whole band and a slow crane down.




Medium-long shot

0.005

Shows lead singer, bassist and the two guitarists performing




Close up, from a slightly low angle

0.005

Guitarist playing guitar from a slightly low angle




Long shot

0.005

The drummer, Rob, playing the drums




Medium-long shot, slightly low angle

0.01

Lead singer singing to the right and backing vocalist/guitarist positioned at the left of the shot. Filmed from a slightly low angle.




Medium shot

0.005

Medium shot of bassist, Phoenix, playing his bass guitar, the drummer in less focus behind him.




Insert

0.01

Footage of people moving boxes




Bird’s-eye shot

0.0025

Lead singer is shown with his microphone.




Close up

0.0025

Drummer shown close up through between the drums




Pan from right to left

0.005

Shows lead singer singing




Mid-Close up

0.005

Shows lead singer singing




Insert, Zoom in

0.005

Shows Stone Henge